November 22, 2018

Best Modular Synthesizers out of top 19

Pittsburgh Modular Structure EP 420 420Hp Desktop Eurorack Enclosure W 10 Cables

Pittsburgh Modular Structure EP 420 420Hp Desktop Eurorack Enclosure W 10 Cables

Pittsburgh Modular Structure EP 420 420Hp Desktop Eurorack Enclosure W 10 Cables

Pittsburgh Modular Structure EP 420 420Hp Desktop Eurorack Enclosure W 10 Cables 0.5% Output Over Load Protection: 10% 150% Hiccup Mode with Auto-Recovery. 6 Amps of Clean, Filtered 12 v Power 6 Amps of Clean, Filtered -12 v Power 5 Amps of Clean, Filtered 5 v Power 60 Keyed Eurorack Power Headers External Power Switch with LED Fused Power Protection Universal IEC Power Connector Discrete EMI filter per power rail (12 v, 5 v, 12 v) Low Output Ripple Noise UL CE Approved, Ro HS Compliant Over Load and Short Circuit Protection Line Regulation (Full Load), ? Edge to Edge Rails Reduce Gaps Between Modules and the Side of the Case. Hardwood and Aluminum Construction. 420 hp Total Space Available. A stunning, studio sized desktop enclosure, the Structure EP-420 eurorack case offers a massive 420 hp of space split into three rows paired with a combined 17 amps of industry leading, clean, quiet power. External Depth at Top: 3.5", External Depth at Base: 9", External Height: 18", External Width: 29", Minimum Internal Depth for Modules: 3 3 / 8", Maximum Internal Depth for Modules: 6", Empty Weight: 20 lbs.

Pittsburgh Modular Crush Analog Downsampler Eurorack Module

Pittsburgh Modular Crush Analog Downsampler Eurorack Module

Pittsburgh Modular Crush Analog Downsampler Eurorack Module

Pittsburgh Modular Crush Analog Downsampler Eurorack Module Sample Rate CV In Control - Sample Rate CV input jack attenuator. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. Taking advantage of unlimited bit and sample rate resolutions, the Crush lo-fi digital results by smoothly downsampling at infinite resolution. Mix CV In Control - Mix CV input jack attenuator. Sample Rate Control - Sample rate control. Interpolate / Step Mode Switch - Step mode offers true downsampling. The Crush is an audio destroyer; a voltage controlled, all analog sound decimator. The Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of and unique artifacts on the output. An integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. The results are crushing. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. A sonic laser designed to shatter waveforms into a million pieces. Output Mix Control - Controls the signal mix of the Mix Out. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed. Interpolate mode attempts to smooth the downsampled waveform.

Pittsburgh Modular Synthesizers Game System Module

Pittsburgh Modular Synthesizers Game System Module

Pittsburgh Modular Synthesizers Game System Module

Pittsburgh Modular Synthesizers Game System Module The Game System transforms these celestial events into an 8 x 8 matrix filled with pixelated meteors, explosions, and one panicked. Music Programmer is a classic 32 step CV and gate sequencer that is programmed with the joystick or auto generated using control voltages. Game 3: Percussion Programmer (4 Channel Gate Sequencer) Hmm. CV output is quantized to 1 volt per octave to keep the resulting patterns well tempered. The Game System can also be computer controlled, freeing the sequencers to shift and morph with the zeros and ones. Game 1: Meteor Shower Meteor showers have inspired musicians since the dawn of time. Explosion based gates and random control voltages react to the action and provide the perfect score to the amazing events taking place in the simulated night sky. A Unique Set of Controls The Game System uses a thumb joystick and button press interface for fast and intuitive navigation of the sequencers. Packed with six unique multi-mode sequencers and a fully voltage controllable user interface, the Game System is deep! Game 2; Music Programmer (CV / Gate Sequencer) Create your own musical masterpiece, a melody that defines a generation. Percussion can mean anything. Individual sequencers in the Game System would make great standalone modules. Game System Module. God speed, fearless astronauts. Each game represents a different type of sequencing, from classic step sequencers, to unique multi-dimensional clock dividers, to chaotic gate generators. Joystick movements and button presses are voltage controllable, inviting external CV and gate signals to take control of the gaming experience. Bundled together, they offer an entire arcade of sequencing options, with lots of room for creativity. A short (or long) burst of sound (or silence) used.

Pittsburgh Modular Synthesizers System 10 1 Semi Modular Analog Synthesizer

Pittsburgh Modular Synthesizers System 10 1 Semi Modular Analog Synthesizer

Pittsburgh Modular Synthesizers System 10 1 Semi Modular Analog Synthesizer

Pittsburgh Modular Synthesizers System 10 1 Semi Modular Analog Synthesizer The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate. The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and resd out piercing leads to organic percussion. Standard triangle, square, and saw waves are available alongside a sub oscillator and Pittsburgh Modular's own blade wave. The semi-modular nature of the System 10 allows for deep experimentation and a rich sound palate. Plugging in a few patch cables opens the Pittsburgh Modular System 10.1 Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths. Full range, complex waveform oscillator Oscillator waveform mixer Voltage controlled multi-mode lowpass gate Wide range low frequency oscillator Glide control for portamento effects ADSR envelope generator High-quality, linear response, voltage controlled amplifier. Updated for 2015 the System 10.1 offers direct access to a wide array of modern, analog monosynth sounds, and now the full-features MIDI 3 MIDI to CV converter module. System 10.1 Semi-Modular Analog Synthesizer The Pittsburgh Modular System 10.1 Synthesizer an incredibly massive sound and is packed into a compact desktop modular synthesizer. 1 offers direct access to a wide array of modern, analog monosynth sounds, and now the full-features MIDI 3 MIDI to CV converter module. Updated for 2015 the System 10. The System 10 is a collection of 4 modules that will allow you to create complex analog sounds. 1 Semi-Modular Analog Synthesizer The Pittsburgh Modular System 10. All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer. The blade wave is a rich, modulating saw that can be controlled in several unique ways. In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound. Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away. The System 10.1 Synthesizer also features the Lopass Gate. The System 10.1 Synthesizer features a complex waveforms oscillator.

Pittsburgh Modular MIX MULT Multi Function Utility Module W 2 Cables

Pittsburgh Modular MIX MULT Multi Function Utility Module W 2 Cables

Pittsburgh Modular MIX MULT Multi Function Utility Module W 2 Cables

Pittsburgh Modular MIX MULT Multi Function Utility Module W 2 Cables Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. allowing a single audio or CV signal to be used in two places at once. Module depth with ribbon cable attached: 25 mm. 2 Passive Multiples. A high quality three channel mixer and / or attenuator and two sets of passive multiples. Power Usage: 20 m A. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. The mixer / attenuator section functions as a flexible, low-noise three channel mixer and / or attenuator for audio and CV that can be used in several ways. The Mix Mult is a multifunction utility module. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well. The module combines three functions into a single module. The bottom of the module contains two sets of passive multiples. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator.

Pittsburgh Modular System 10 1 Synthesizer Eurorack

Pittsburgh Modular System 10 1 Synthesizer Eurorack

Pittsburgh Modular System 10 1 Synthesizer Eurorack

Pittsburgh Modular System 10 1 Synthesizer Eurorack Voltage-controlled multi-mode lowpass gate. Full range, complex waveform oscillator. Oscillator waveform mixer. ADSR envelope generator. And between it's extensive CV / Gate connectivity and the upgraded MIDI 3 module, expanding your System 10.1 rig is a piece of cake. With four Eurorack-compatible modules in a compact, wood-framed chassis, the System 10.1 lets you deploy snarling leads, evolving pads, percussive hits, and fat bass tones, right out of the gate. And to the upgraded MIDI 3 module, which duophonic MIDI response, assignable CC and dedicated velocity outputs, a versatile clock source, and an arpeggiator, it's easy to integrate your System 10.1 with modern gear as well. Fully patchable, 2 nd generation semi-modular synthesizer voice. It's internally pre-patched to produce an amazing range of classic analog sounds right out of the box, and with a handful of patch cables, you can add more modules to your system at any point. If you're thinking about getting into modular synthesis, we highly recommend a semi-modular synth, such as the Pittsburgh Modular's System 10.1, as your first step. Pittsburgh Modular's System 10.1 semi-modular analog monosynth gives you a perfect opportunity to explore the flexibility of modular synthesis, without having to patch everything together if you don't want to.

Pittsburgh Modular Lifeforms Percussion Sequencer Module

Pittsburgh Modular Lifeforms Percussion Sequencer Module

Pittsburgh Modular Lifeforms Percussion Sequencer Module

Pittsburgh Modular Lifeforms Percussion Sequencer Module 4 Percussion Tuned Analog Envelopes. 4 High Quality Analog VCAs. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. Eurorack drum programming has come to life. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. 6 Adjustable Pattern Effects (Shift, Glitch, Density, Morph, Swing, Add / Drop). 32 Step, 4 Channel Sequencer. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. 32 Sequence Non-Volatile Memory.

Synthrotek Noise Filtering Power Distribution Board

Synthrotek Noise Filtering Power Distribution Board

Synthrotek Noise Filtering Power Distribution Board

Synthrotek Noise Filtering Power Distribution Board Daisy-chain boards together easily with additional molex cables. Molex connectors make installation a snap with our Deluxe Power. A -12 stripe indicator in the silkscreen allows for greater safety when using unshrouded connectors. Noise Filtering capacitors are placed in three sections on the board to help minimize power line noise module to module noise. The Noise Filtering Power Distribution Board is perfect for your Eurorack case! Each rail also has its own ground connection. This distro board can be used in conjunction with our Eurorack Power Supply System or can be used with various other power supplies. Our bus board has power on all three rails (-12, 12, 5), with an LED indicator for each rail. 17 Eurorack power connections, keyed for safety. CONNECT TO ANYTHING: Connect a Molex Power Cable to the Deluxe Power Connect a Molex Adapter Cable to connect to other brands of power supplies. Hosa CMM-310 10-Feet 3.5 mm TS Cable. Make: Analog Synthesizers: Make Electronic Sounds the Synth-DIY Way. Distro board can be cut down to desired length, without damaging the board. Cut the board down to desired length to fit your case.

Studio Electronics Boomstar Modular Sensei Analog

Studio Electronics Boomstar Modular Sensei Analog

Studio Electronics Boomstar Modular Sensei Analog

Studio Electronics Boomstar Modular Sensei Analog MULTIPLE Passive utility module with two independent sections of four linked jacks. LEVELS Versatile, low-noise six channel summing mixer / attenuator for audio and CV-pots are wired with logarithmic volume curves. The Special Edition SE Mono Rocket M 6104 Black Carbon Case holds it all together, especially where beefy power clarity of sound, solid build quality, and handsome, rugged portability are paramount. AMP 2 stage Class A discrete design, using 3 pairs of hand matched transistors; DRIVE-70 s era distortion and Drone control. Four supreme, exalted filters: SEM, 4075, 5089 and SE 88, one for each Class-A OSC, stamp this Sensei with the SE warmth; the extra SE 88 filter provides the final resonant subtraction, and sanction. SENSEI ANALOG is a lustrous, three discrete Oscillator, all analog duophonic dream machine that merits comparison to any of the great analog systems in the history of modular synthesis. OSCILLATION Class-A, discrete, DC coupled, output buffered, exponential current source, vintage-designed analog oscillator. Internally mounted IEC supply makes your pack and setup easy. One power chord does it every time. LFO 2 Potent all analog dual LFO module; two independent low frequency oscillator circuits provide a variety of modulation options. 5089 Mini-flavored voltage controlled, discrete analog, 24 db / oct transistor ladder, low-pass filter (hand-matched transistors). Boomstar Modular Sensei Analog. MODSTAR SENSEI - Module 4075 Arp-flavored Discrete, voltage controlled, 24 / db / oct cascaded transconductance low-pass filter-six pairs of hand-matched transistors-Really a 4-pole ARP 4072 (better: more parts and trims). What an amazing machine, or rather, assemblage of complementary machines. MIDI 3 Third generation extremely full-featured MIDI to CV converter, optimized and calibrated by Studio Electronics exclusively for Modstar Systems. OUTS Dual independent output module featuring a stereo 1 / 4", headphone amplifier output a. Dimensions: 2 rows / 106 hp each (4 hp bonus) Internal depth 4.5 inches (except area over PSU which is 2 7 / 8) External Dimensions with lid attached (H x W x D), 11.5 x 22.5 x 8 Unit stands vertical or lays on its back Stackable if you detach the handle (4 pan head screws) Power: 3.5 a on the /-12 v rails 500 ma of 5 v per row installed 15 Doepfer compatible power connections per row (shrouded keyed) 5 Analogue Solutions power connec.

Pittsburgh Modular MIX MULT Multi Function Utility Module

Pittsburgh Modular MIX MULT Multi Function Utility Module

Pittsburgh Modular MIX MULT Multi Function Utility Module

Pittsburgh Modular MIX MULT Multi Function Utility Module The mixer / attenuator section functions as a flexible, low-noise three channel mixer and / or attenuator for audio and CV that can be used in several ways. 2 Passive Multiples. Patching a signal into one of the multiple jacks will split the signal to the remaining two jacks. A high quality three channel mixer and / or attenuator and two sets of passive multiples. Module depth with ribbon cable attached: 25 mm. allowing a single audio or CV signal to be used in two places at once. The module combines three functions into a single module. The mixer knobs are wired with a logarithmic volume curve that is tuned for use with audio but it will work with CV as well. Power Usage: 20 m A. Patching into the output of channel 1 or 2 will remove that channel from the mixer circuit and turn the channel into an independent passive signal attenuator. The bottom of the module contains two sets of passive multiples. The Mix Mult is a multifunction utility module. Channel 3 can not be removed from the mixer circuit, however if channel 1 and 2 are all being used as attenuators, channel 3 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. Hot Wires PC 1817 TRS Balanced Patch Cables - Straight. Mutable Instruments Links Multiples and Mixing Utilities Eurorack Module.

Pittsburgh Modular Synthesizers LIFEFORMS 2 2 MIXER

Pittsburgh Modular Synthesizers LIFEFORMS 2 2 MIXER

Pittsburgh Modular Synthesizers LIFEFORMS 2 2 MIXER

Pittsburgh Modular Synthesizers LIFEFORMS 2 2 MIXER Patching the mix 1 2 output removes channels 1 and 2 from the mix (3 4) output and creates two, two channel mixers. Channel 4 can not be removed from the mixer circuit, however if channel 1, 2, and 3 are all being used as attenuators, channel 4 is the only input remaining in the mixer allowing it to be used as a buffered attenuator. A Four Channel Mixer A Pair of Two Channel Mixers Four Independent Attenuators Two Attenuators and a Two Channel Mixer One Attenuator and a Three Channel Mixer The channel controls utilize a logarithmic volume curve tuned for audio signals but the module will work with CV as well. Patching the output of channel 1 or 3 will remove it from the mixer circuit. Panel size: 8 hp Depth: 24 mm Power Usage: 12 v 7 m A, 12 v 7 m A Does not require 5 v Reversed power polarity protection. LIFEFORMS 2 2 MIXER. The signal path is extremely versatile allowing it to function in five different configurations. The Lifeforms 2 2 Mixer is a low noise, ambidextrous four channel mixer for both audio and CV signals.

Reon Drift Box S Modular Synthesizer

Reon Drift Box S Modular Synthesizer

Reon Drift Box S Modular Synthesizer

Reon Drift Box S Modular Synthesizer

Pittsburgh Modular Synthesizers LIFEFORMS MOD TOOLS

Pittsburgh Modular Synthesizers LIFEFORMS MOD TOOLS

Pittsburgh Modular Synthesizers LIFEFORMS MOD TOOLS

Pittsburgh Modular Synthesizers LIFEFORMS MOD TOOLS The Analog Logic is a two channel mixer with a standard unity gain mix out as well as an analog a ora TM logic output. The modulation section houses a free-running LFO with both square and sine wave outputs. The noise sample hold section is an all-analog noise source paired with a sample hold circuit used to create truly random stepped CV signals. Panel size: 10 hp Depth: 37 mm Power Usage: 12 v 53 m A, 12 v 46 m A Does not require 5 v Reversed power polarity protection. Patching audio signals through the a ora TM output creates a half-rectified waveform. LIFEFORMS MOD TOOLS. The functionality of the Mod Tools is split into four sections: multi-function, analog logic, noise sample hold, and modulation. The a ora TM logic outputs the current highest positive only voltage from either of the inputs creating interesting modulation or wave shaping options. The Multi-Function section is a voltage-controlled slope generator. This flexible circuit can function as a voltage-controlled envelope, LFO, oscillator, slew, envelope follower and more. Envelope, LFO, noise, sample and hold, mixer, analog logic, slew, and oscillator, Mod Tools is a diverse analog ecosystem of modulation.

Pittsburgh Modular Synthesizers LIFEFORMS ADSR

Pittsburgh Modular Synthesizers LIFEFORMS ADSR

Pittsburgh Modular Synthesizers LIFEFORMS ADSR

Pittsburgh Modular Synthesizers LIFEFORMS ADSR The sustain level is maintained as long as the incoming gate remains on or high. Panel size: 6 hp Depth: 24 mm Power Usage: 12 v 23 m A, 12 v 12 m Does not require 5 Reversed power polarity protection. Decay sets the amount of time needed to transition to the level set by the sustain knob. The incoming gate or trigger signal passes through each of the four stages to output an envelope. Once the incoming gate goes low or off, the release stage takes over. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages. The ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument. The Lifeforms ADSR is a four-stage envelope generator with independently adjustable attack, decay, sustain and release stages. When the ADSR module receives a gate or trigger signal, the attack determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. The functionality of the ADSR is simple.

Pittsburgh Modular ANALOG REPLICATOR Module Next Generation Analog Delay

Pittsburgh Modular ANALOG REPLICATOR Module Next Generation Analog Delay

Pittsburgh Modular ANALOG REPLICATOR Module Next Generation Analog Delay

Pittsburgh Modular ANALOG REPLICATOR Module Next Generation Analog Delay Short range is bright and clean, long range is dark and dirty. TIME Knob - Adjust the delay time. 8, 192 doubles the amount of available delay range. Michael Johnsen, Pittsburgh Modular's analog engineer, created a modern BBD core fed by a unique clock source and proprietary signal processing circuits. The result is a flexible, more musical, eurorack delay module. Cleaner, dirtier, brighter, darker, and more versatile than any other analog BBD delay line effects unit available. 4, 096 / 8, 192 Switch - Select between 1 and 2 BBD chips. SHORT / LONG Switch - Select between SHORT and LONG delay ranges. Our original Analog Delay module grew out of the circuitry of a guitar pedal. TIME CV IN Knob - CV attenuverter used to attenuate and / or invert the incoming TIME CV signal. The Analog Replicator is the astounding result of over a year of ambitious design and engineering. The Analog Replicator was redesigned from scratch to be the finest analog delay available with a sound and feature set focused around the modular synthesizer. The new Analog Replicator module does not share the same stompbox lineage. Hosa CMM-830 3.5 mm TS to 3.5 mm TS Unbalanced Patch Cables, 1 ft. Hosa CMM-890 3.5 mm TS to 3.5 mm TS Unbalanced Patch Cables, 3 ft. Dave Smith Instruments DSM 02 Character Module. Hosa CMP-303 3.5 mm TS to 1 / 4 inch TS Mono Interconnect Cable, 3 feet. Hosa CMM-815 3.5 mm TS to 3.5 mm TS Unbalanced Patch Cables, 6 inch.

Pittsburgh Modular Lifeforms Percussion Sequencer Module W 4 Cables

Pittsburgh Modular Lifeforms Percussion Sequencer Module W 4 Cables

Pittsburgh Modular Lifeforms Percussion Sequencer Module W 4 Cables

Pittsburgh Modular Lifeforms Percussion Sequencer Module W 4 Cables Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. 32 Step, 4 Channel Sequencer. Eurorack drum programming has come to life. 6 Adjustable Pattern Effects (Shift, Glitch, Density, Morph, Swing, Add / Drop). Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. 32 Sequence Non-Volatile Memory. The familiar interface allows for quick mastery of all the features leaving the focus on the music. 4 High Quality Analog VCAs. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. 4 Percussion Tuned Analog Envelopes.

Pittsburgh Modular Synthesizers LIFEFORMS BINARY FILTER

Pittsburgh Modular Synthesizers LIFEFORMS BINARY FILTER

Pittsburgh Modular Synthesizers LIFEFORMS BINARY FILTER

Pittsburgh Modular Synthesizers LIFEFORMS BINARY FILTER The lowpass filter is gummy and relaxed while the highpass is clean and defined. Panel size: 8 hp Depth: 24 mm Power Usage: 12 v 22 m A, 12 v 22 m A Does not require 5 v Reversed power polarity protection. The goal was to produce a filter that does not have a single sweet spot. The state variable topology was chosen because it allows for a smooth and natural sounding filter in addition to offering several other modes of operation, each with a unique sound and energy all their own. At normal settings the incoming signal modulates the self oscillating filter to produce complex sounds. This Filter defines the Jekyll and Hyde sound of Pittsburgh Modular. Adjusting the Q while in Unstable mode modifies the shape of the waveform. Add an incoming audio signal to the Unstable mode and the output changes dramatically. We worked to make every turn of a knob or flip of a switch offer something new and musically engaging. Set to Stable, the Lifeforms Bipolar Filter will not self oscillate, and operates as a clean, organic filter. On the other hand, switching into unstable mode turns the Binary Filter into a howling beast capable of chunky walls of overdrive and noise. At more extreme settings, where the Bipolar Filter starts to struggle with self oscillation, the Q adds anything from ringing fuzz to heavy distortion to the incoming audio. LIFEFORMS BINARY FILTER. Multiple filter responses are available simultaneously including lowpass, highpass, and bandpass. On the one hand, it offers a warm, organic sweep through the full frequency range. The stability switch selects between Stable and Unstable modes. Set to Unstable and without an incoming audio signal, the Bipolar Filter produces a high quality voltage controlled sine wave. There Is No Sweet Spot? A deeper exploration of the Pittsburgh Filter sound, the Binary Filter is a voltage-controlled, analog, state-variable filter based on the filter of the Lifeforms SV-1.

Korg MS20 Mini Limited Edition WHITE Semi Modular Analog Synthesizer

Korg MS20 Mini Limited Edition WHITE Semi Modular Analog Synthesizer

Korg MS20 Mini Limited Edition WHITE Semi Modular Analog Synthesizer

Korg MS20 Mini Limited Edition WHITE Semi Modular Analog Synthesizer MIDI IN and USB connector. Based on the black that is emblematic of the MS-20's distinctive presence, this new model features a clean white monotone for its front panel and knobs, while retaining the faithful circuitry, 5-pin MIDI, and USB MIDI of the black MS-20 mini. Faithful recreation of the MS 20 at 86% of the size. Combining a completely new freshness together with a vintage feel that befits the MS-20 as the original semi-modular synthesizer, this limited-edition model will be a great way to add classic MS-20 sounds to any setup! Limited Edition Model in a White Monotone Color. The KORG MS-20 mini is now available as a limited-edition white monotone variation model. Overseen by the engineers of the original MS-20; a complete replication of the original analog circuitry: 2 VCO / 2 VCA / 2 VCF / 2 EG / 1 LFO structure - Self-oscillating high-pass / low-pass filters with distinctive distortion - External signal processor (ESP)- Extremely flexible patching system.

2Hp ADSR Envelope Generator Eurorack Modular

2Hp ADSR Envelope Generator Eurorack Modular

2Hp ADSR Envelope Generator Eurorack Modular

2Hp ADSR Envelope Generator Eurorack Modular Great for modulating filters, VCAs, and oscillators. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. 2 hp ADSR Envelope Generator Eurorack Modular Features: 4 independent stages Wide voltage output at 10 V 2 expressive ranges Easy to use interface. 2 hp ADSR Envelope Generator Eurorack Modular ADSR is a four stage linear envelope with two expressive ranges.

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20 Most Wanted Mini Guitar Tuners

20 Most Wanted Mini Guitar Tuners

Intelligent power saving mode. 360 degree rotatable design to match your need better. With a clip, it is easy to fix on the instrument. Small and exquisite appearance, it is convenient to plastic Color: black Size: 48 73 28 mm 1 x Guitar Tuner 1 x Button Battery 1 x User Manual Due to the difference between different monitors, the picture may not reflect the actual color of the item. It can be ...

October 17, 2019

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21 Great Custom Home Theaters

21 Great Custom Home Theaters

Power handling - 100 watts per channel RMS; 200 watts peak. Niles has played a major role in transforming whole-house audio / video and home theater. Six-Pair Speaker Selector with Volume Controls; Niles is focused on providing high-quality products that integrate and distribute home entertainment for the residential and commercial markets. Power Handling: 100 Watts Per Channel RMS; 200 Watts ...

October 17, 2019

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18 Great Bach Stradivarius Trombones

18 Great Bach Stradivarius Trombones

Bach Stradivarius Bass Trombone Cork Barrel and Connecting Ring. ...

October 17, 2019

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18 Most Wanted Amplifiers Stands

18 Most Wanted Amplifiers Stands

5 height adjustment positions with spring-loaded locking pin. Full-circle tilt adjustable amp platform allows for exact amp positioning. QL 640 style upgraded amp stand - AMS-QL-640 still available while supplies last. YMC Headphone Holder Tambourine Holder Hanger Clip for Microphone / Musical Stand, Black. On Stage RS 7000 Stage Monitor or Guitar Amp Stand. GLS Audio 3 feet Speaker Cable 12 AWG ...

October 17, 2019

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Best and Coolest 18 Electric Guitars Knobs Black

Best and Coolest 18 Electric Guitars Knobs Black

Metric Size is popular in guitars bass made outside the USA / Mexico. 17 mm diameter; Bottom of the knob: approx. Top of the knob: approx. Fit Fender Strat, gio, Squier or other strat style gutiar. lotmusic Wiring Harness Prewired 2 v 2 t 3 way Toggle Switch Jack 500 k Pots for Gibson Replacement Guitar- 1 set. 20 pcs different color Speed GUITAR CONTROL KNOBS for Gibson Les Paul. Musiclily ...

October 17, 2019

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22 Coolest Slide Ocarina

22 Coolest Slide Ocarina

Whether it is a beginner or a professional performer, Ocarina can be stable for you, silver and beautiful. Tonality; midrange C / ACWeight: about 300 g Material: kaolin (white dolomite) Color; smoked black and red. Hand sanding, flat mouth, and beautiful sound. Ocarina 12 hole midrange C tuning professional beginner type. Refers to the hole, hand-held comfort, slides when performing, does not ...

October 16, 2019

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Coolest 19 Percussion Marching Tom Toms

Coolest 19 Percussion Marching Tom Toms

Reinforcing Power Dot material does not touch the bearing edge, which allows the collar to vibrate in unison with the drum shell for maximum tone. The reinforcing Power Dot material does not touch the bearing edge which allows the collar to vibrate in unison with the drum shell for maximum tone. The greater part of the head is left to resonate and project the sound. Single ply drumhead. ...

October 16, 2019

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Best 23 Reeds Saxophone Soprano Sax

Best 23 Reeds Saxophone Soprano Sax

Each box contains 10 reeds, total of 20 Reeds. Soprano saxophone reeds. Two boxes of Reeds, each box contains 10 reeds, total of 20 Reeds. Two boxes of soprano saxophone reeds. Mendini by Cecilio MAS-L 92 D PB Gold Lacquer E Flat Alto Saxophone with Tuner, Case, Mouthpiece, 10 Reeds and More. Yamaha YAC 1281 4 C Standard Soprano Saxophone Mouthpiece. Cecilio REEDSx 2-TS Tenor Saxophone Reeds. ...

October 16, 2019

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